Mark Rosenblatt's Giant is a meticulously devised, and thought provoking play. It follows Roald Dahl - with his publishing team in crisis - as they grapple with the implications of an anti-semitic article he wrote just prior to the release of The Witches. The article in question pertains to Dahl's views on Israel (and its people), which becomes a source of anger for both the general public, and those closest to him. It is in my view, an incredibly intelligent decision to parallel a messy, raw, interpersonal conflict of the past, with a current-day (or rather ongoing) geopolitical one. Rosenblatt manages to convey much of the complexity of the "Israel-Palestine debate" within a slice of life show. Rosenblatt has managed to craft such a layered depiction of Dahl, even within such a short snapshot of his life. T he formidable John Lithgow brings this vision to life with his characterisation of Dahl, oscillating between the childlike, the resentful, the passionate, the...